Gnome male – “! Historians draw attention to the black animation of the 1970s.


Gnome male – “! Historians draw attention to the black animation of the 1970s.

As a kid growing up in the 1970s and ’80s, I used to spend the night at my cousin Chris’s house. On Friday night after aunt to take us to go to bed to turn off the lights, we will be in our respective double bed, whispering to each other – not about school, friends or toys (ok, ok, sometimes about toys), no, we are locking the morning of the second day of the cartoon to watch our plan. Top of the list?

Yes, the catchy phrase started with each episode of Fat Albert and Cosby Kids. Actor and comedian bill cosby created and produced episodes from 1972 to 1985, and was loosely organized as a child. Fat Albert and the gang (including a named MuShenMao characters and another person called Tang Bolun – I guess it won’t fly today) in the north of Philadelphia to hang out, in the face of many moral crisis. Chris and I (and a bunch of you too, you know!) Like the children’s various tricks and life experience.

Most of the plot ends with a similar appeal to the grunge band. In fact, music is a common theme in many of the new works of the Saturday morning comics lineup.

Pamela Thomas was particularly attracted by The Fat Albert of The time and The animated images of African americans in other shows, including Jackson Jackson, Josie and The Pussycats and The Harlem Globetrotters.

“I was born in the ’60 s, so I grew up in the 70 s, I remember all these cartoons – not all comics – but this is all of these positive animation image are broadcast on TV for the first time,” he said. Thomas, a preschool teacher who grew up in the Bronx.

Animator Leo Sullivan helped develop some of Fat Albert’s characters and storyline.

“It’s exciting to make comics and make them and study them on a long day,” he said. “It’s more personal, it needs more people to do it, it’s more expensive, and in my time, we have to develop roles alone.”

Sullivan began as an animator working in 1961, over The years on Saturday morning I sat cross-legged on The television to watch A lot of content, including The Flintstones, Scooby scooby-doo, captain Caveman, Richie Rich and Laff – A – Lympics, to name A few.

Today, at the age of 71, he teaches children about the technology and animation of their games.

“We think there’s a better way to introduce kids to science, because they play these games, but they don’t know how they work,” Sullivan said. “We are in the course to teach them how technology works, and how they become a part of the technology, to give them skills so that they were in high school, college or trade or technical schools continue to do so.”

“Their story is like your story, and their experience is like your experience,” said Thomas, who earned a black history degree from the city university of New York. “Bill Mr Cosby cartoons very pioneering, it only deals with a lot of questions – smoking, cheating in school, playing with magic, divorce, steal others what can happen, when you look at it, you don’t realize, in the form of children can understand to regain all of this information. ”

Twelve years ago, Thomas began collecting black art. A few years later, she started the UnCut Funk online museum! Now, she’s got enough work to take part in a tour, Funky Turns 40: the black character revolution, the first stop at the schomburg center for black culture research in January.

Thomas explained: “the overall overview of the collection is not comic and black – these are groundbreaking because they are the first, they happened between 1969 and 1979.”


“It’s hard to find black animation, there really is no market,” Mr. Thomas said. “It’s all about Disney, warner bros and rooney tunes, baby bunny and kingfisher.”

Thomas and his friends sent the word to various art galleries, and they let her know when the curator heard about a piece that might interest her.

“In the aspect of black popular culture, I want to have a very important story can tell there, walked out of the 60 s of the civil rights movement and transferred to the black power movement in the 70 s,” she said, “into our own and having all these images on TV and the news didn’t place, the children also didn’t see their grandmother’s cartoon image with a derogatory sense, as in the 1940 s [small black] treble. “


Please enter your comment!
Please enter your name here