How do adults learn piano well?

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The way adults learn piano. If you study piano, you can not only relax the nervous instruments in your life after playing popular instruments, but also reduce the stress in your life. The research and application of piano has gradually spread to home users across the country. Learning piano has gradually become the fashion trend of the avant-garde crowd, and many benefits cannot be described naturally. However, if you want to play a good piano work, don’t do some hard work like you do before, I am afraid it is a bit whimsical. Indeed, learning piano is not easy. It is more difficult for adults to learn piano. If you don’t find a good way to learn, most of them will go through time, and the difficulty will deepen in the second half of the study. So how do adults learn piano correctly? Today, I will tell you some steps and methods for adults to learn piano, for everyone to learn.

In fact, adults should learn piano. They should first understand the four steps of learning the piano. The first one is slow, the second is minutes, the third is listening, and the fourth is thinking. I have mastered these four learning steps. As long as I don’t bother with it and I really like the piano, I believe that you can play many small and medium-sized pianos in just over three months of practice. Then, the author below explains the specific meaning of these four steps.

One, slow
“Slow” mainly refers to a game that is much slower than the adjustment. Slow training is also ignored in the teaching terminology of piano teachers, so it is often overlooked when learning listening. When you play, you can calm down and you can find your time when you are tired. When you have difficulty attacking, you have a chance to return.

Second, the main points

When practicing the piano, you must break up, divide chapters, subdivisions, clauses, subsections, and even practice pagination, branching, splitting, and motivation. If “slow” is an ordinary magnifying glass, it can be seen as rough and “bad” is a high-power analyzer that can detect leaks and hidden dangers one by one. Its source and clear it.

The use of “dot” in back-spectrum training has been very popular and accepted by peers. This is to divide the whole song into several parts, one part, then connect together, and finally reorganize behind. This is very beneficial for robustness. “The skill of music memory is to remember through the page, even phrases, phrases.”

Third, listen
The famous Russian pianist Joseph Levine wrote in the book “Basic Principles of Piano Performance”: “Excellent music learners should know how to listen to music. Teachers must teach advanced students to listen to music. Ask for self-evident things. “They They don’t listen to their performances, they won’t listen. What is even more frightening is that they don’t feel the music and feel cold. Indifferent” He suggested that you always listen with your ears and ‘inner ears’ and regard this habit as a rule that players must follow every day. A thousand words can’t replace listening to music itself.

Fourth, thinking
“Thinking” is thinking, thinking, thinking, thinking~~ In fact, we don’t have time to “think” and support, in “slow”, “divided” and “listen”. Because anyone can judge that “thinking” is the soul of “slow”, “split” and “listen”. Only the positive and positive core participation of “thinking”, such as “slow”, “split” and “listening” will bring vitality and guide piano learning to go deeper and more efficiently.

The mentality that we are not good at in piano learning methods is very common. Their specific performance is: there is no plan before training, there is no summary after training, there is no difference in practice, no fatigue. It sounds like they are also looking for shortcomings in practice. However, these efforts are only on the surface of thinking about the game, and finally they can not jump out of the brainless circle.“Yes, don’t force yourself. You don’t have to endlessly attack the difficulty. The best way is to temporarily solve the difficult problems that are currently difficult to solve. First, practice other tracks.” Schlangchinka said: “When we encounter obstacles in the game The only solution is to pick out the insurmountable parts of the music and turn them all into a short practice.

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