Indian classical music is one of the many forms of artistic music that originated from a specific regional culture. For other “classical” art and musical traditions.

Indian classical music is a genre of South Asian music. It has two main traditions: the Northern Indian classical music tradition is called Hindustani, and the South Indian expression is called Karnataka. These traditions did not appear until the 16th century. There, during the turbulent period of Islamic rule in the Indian subcontinent, tradition separated and evolved into different forms. Hindustani Music and Carnatic Music emphasize a wide range of improvisations and explore all aspects of raga, where Carnatic performances are usually not only short but also based on composition. But these two systems continue to have more in common than differences.

The roots of Indian classical music are Hindu literature and the ancient Santianshastra, Bharata Muni’s classic Sanskrit performing arts. The Sanskrit text of the 13th century Sarangadeva’s Sangita Ratnakara is traditionally regarded as authoritative text by hindustani music and canatik music.

Indian classical music has two basic elements, raga and tala. The raga forms the structure of the melody structure, while the tala measures the time period. Raga presents an artist’s palette to build the melody of the sound, and tara provides them with an impromptu framework for using time rhythms. Indian classics do not have Western classical concepts such as harmony, alignment, chords or modulation.

The roots of ancient Indian music can be found in Vedic Indian literature. The earliest Indian thoughts combined three arts, syllable solo (vadya), melos (gita) and dance (nrtta). With the development of these fields, sangeeta has become a unique art form that rivals contemporary music. This may have happened before y-ska (500 BC) because he included these terms in his nirukta study, one of the six ancient Vedanga traditions. Some ancient Hindu texts, such as samaveda (1000 BC), consist entirely of melody themes, which are part of Rigveda’s music

Indian classical music has traditionally adopted and developed many regional styles, such as the classical tradition of Bangladesh. This openness to thought led to the assimilation of regional civil innovation and influence from outside the subcontinent. For example, Hindustan music absorbs the influence of Arabia and Persia. This assimilation idea is based on ancient classics such as raja, tala, matras and musical instruments. For example, PersianR k might be the pronunciation of Raga. According to Hormoz Farhat saying, R k does not make any sense in the modern Persian, Polish concept of Persia is unknown.


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